e. East there is a niche statue of Ganesha. And the South there is a statue that is Agastya Syiwa as a professor. However, among all the statue is only Mahesasuramardhini Durga statues are left.Seen shapes, similar to the Temple Clown temples in Central Java century to the period 8 to to 10, especially in the Dieng plateau as Gedongsongo Temple. Materials made of stone temple andesit. Foot of the temple does not make plain. Entrance given viewer. Kalamakara that decorate the top of the door is not under the jaw.
Clown temple was surrounded by a wall that is now lost. Some of the temple ruins are still visible here, there is certainly a part of the temple, which until now has not ascertained how the original form. An enclosed staircase which cheeks staircase decorated by carving kinarakinari (being a paradise of birds head man who plays heavenly music). Relun field beside the tub-niche temple decorated with flower patterns. Ceiling collapsed. Before the entrance of the base, there are ancillary temples that as many as three smaller fruit. Page next to the temple in North and South, there are two cube-shaped stone with a square hole.
This temple is found in the year 1921 which forms when the only form of bumps hills, and ruins the land. The first person who announces the existence of the temple is the Clown Maureen Brecher, a controller that the Dutch people working in Leicester. Clown temple rebuilt in the years 1925-1927 under the supervision of B. De Haan from the Netherlands East Indies Position immemorial. From the results of the excavation conducted at the time known that the temple buildings have collapsed at all, except the feet that can still be seen susunannya.
Stones and then there are around dipilah-Sort and collected according to the type and size. On the basis of this and then tried to arrange the building. In the year 1926 the entire building the legs and the body can be rebuilt, except the ceiling which can not be found again. In the year 1990-1993 was held back by the restoration Temple Clown Office of Educational History and Heritage Night and the ancient East Java, through the Conservation Project / Utilization Heritage History and ancient East Java, implemented gradually. Conservation efforts and the construction of Bintuni Cultural Objects is that the cultural heritage we can remain sustainable, which shows our identity as a nation of culture.
Clown temple was surrounded by a wall that is now lost. Some of the temple ruins are still visible here, there is certainly a part of the temple, which until now has not ascertained how the original form. An enclosed staircase which cheeks staircase decorated by carving kinarakinari (being a paradise of birds head man who plays heavenly music). Relun field beside the tub-niche temple decorated with flower patterns. Ceiling collapsed. Before the entrance of the base, there are ancillary temples that as many as three smaller fruit. Page next to the temple in North and South, there are two cube-shaped stone with a square hole.
This temple is found in the year 1921 which forms when the only form of bumps hills, and ruins the land. The first person who announces the existence of the temple is the Clown Maureen Brecher, a controller that the Dutch people working in Leicester. Clown temple rebuilt in the years 1925-1927 under the supervision of B. De Haan from the Netherlands East Indies Position immemorial. From the results of the excavation conducted at the time known that the temple buildings have collapsed at all, except the feet that can still be seen susunannya.
Stones and then there are around dipilah-Sort and collected according to the type and size. On the basis of this and then tried to arrange the building. In the year 1926 the entire building the legs and the body can be rebuilt, except the ceiling which can not be found again. In the year 1990-1993 was held back by the restoration Temple Clown Office of Educational History and Heritage Night and the ancient East Java, through the Conservation Project / Utilization Heritage History and ancient East Java, implemented gradually. Conservation efforts and the construction of Bintuni Cultural Objects is that the cultural heritage we can remain sustainable, which shows our identity as a nation of culture.
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